Texas A&M University-Commerce

Shannon Carter, PhD

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Current Projects

  • CCCC Special Task Force
  • CFP: Community Literacy Journal (Special Issue)
  • Conference: Writing Democracy: A Rhetoric of (T)Here
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  • Writing Democracy: The Project

Graduate Students: Remixing Northeast Texas

  • 1. Syllabus: ENG 697, SP 2011
  • 2. Assignments
  • 3. Northeast Texas Literacy
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RSS Writing Democracy

  • Workshop Schedule and Handouts
  • Writing Democracy Inventory 2012

 

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Apr06

Dr. John Carlos at CCCC 2013?

by cartershannon on April 6th, 2012
Posted In: Uncategorized

It looks like we might have Dr. John Carlos as a featured speaker at CCCC 2013. Wow! He’s available and interested, and our illustratrious leader of this Las Vegas event is very interested as well. I sent Howard a note about this before leaving St. Louis, inspired by the CFP and the fabulousness of the CCCC 2012. We’ve been in conversaiton about it ever since.

Icing on the cake following a string of fabulousness lately: (1) our campus will be awarding this alumnus and icon for social justice an honorary doctorate in May 2012. (2) Our first remix from the Remixing Rural Texas project is set to be shown on campus next week, which explores desegregation on our campus and features an oral history interview I conducted with Dr. Carlos while he was here last November.

My argument for Dr. Carlos at CCCC 2013 follows:

–

The Silent Protest: Open Hands, Closed Fists,

and Composition’s Political Turn

In 1968, at the Mexico City Olympics, sprinters John Carlos and Tommie Smith called the world’s attention to the persistence of racism. That single iconic image of two Americans, black-gloved fists raised and heads bowed as the national anthem played and millions booed, remains indelibly etched in our collective memory.

In 2013, as Howard Tinberg calls upon us to consider “The Public Work of Composition,” it seems only fitting that we should return to this moment in conversation with one of the protesters: Dr. John Carlos. Indeed, the silent protest and its aftermath graphically illustrates both the power of what Edward Corbett called “the Closed Fist” and the excruciating limits of his “Open Hand” (CCC, 1969). It also calls upon us to consider our organization’s shifting position on the relationship between the composition classroom and the rest of society: our neighborhoods, communities, regions, America, and the world.

Yet for decades the individuals behind the Silent Protest have been rendered silent, effectively removed from any public discourse controlling the meaning of that powerful statement. Until very recently, the mass movements represented in that moment were largely absent from our public spaces and our conferences. We have been “civil”—our firsts closed, hands open.  Silent. Compliant. As Nancy Welch has argued “civility functions to hold in check agitation against a social order that is undemocratic in access to decision-making voice and unequal in distribution of wealth” (“In Defense of Uncivil Rhetoric,” forthcoming).

No doubt our fists are closed again. Our fists raised together, we chant, “We are the 99%,” “We are Troy Davis,” and, most recently, “We are Trayvon Martin.” The Internet Boycott effectively shelves dangerous legislation. We “Occupy” every major city in the nation. We are writing democracy across the world as the Arab Spring gives way to the Occupy Moment, the Internet Boycott , recurring challenges to persistent racism. More than 40 years later, the Closed Fist of the Silent Protest resonates as never before. It is time for CCCC to return to this iconic moment and take stock.

On this occasion, against such a backdrop of collective resistance, it seems altogether crucial to consider the public work of composition. From improving expression of society’s values to improving ability to critique (cultural turn) and inevitability of intervention (social turn) to purposeful service of public (the public turn) and, right now, a possible intervention in the world to disrupt ongoing injustice (the public turn). As Richard Marback has suggested, CCCC may have contributed to that silencing that perpetuates what Catherine Prendergast would later call “the absent presence of race” in the classroom.

Composition appears to have taken a political turn. Together with this icon for social justice, we explore what this political turn might mean—for our discipline and for our democracy’s future.

Corbett, Edward. “The Rhetoric of the Open Hand and the Rhetoric of the Closed Fist.” CCC (1969).

Mardock, Richard. “Corbett’s Hand: A Rhetorical Figure for Composition Studies.” CCC (1996).

Welch, Nancy. “Informed, Passionate, and Disorderly: Uncivil Rhetoric in a New Gilded Age.” Community Literacy Journal.  September 2012.

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Mar27

A “Writing Democracy” Sampler: John Carlos, East Texas, and Derrek A. Bell

by cartershannon on March 27th, 2012
Posted In: Uncategorized

The last several months have been an amazing ride in terms of research, writing, and–to invoke the CCCC 2013 conference theme–the “public work of composing.” In the broadest of strokes, . . .

February 2011: Applied for an NEH Digital Humanities grant to develop prototype for a “remix” project I’d been piloting, bringing together archival materials collected in the course of my research to create video documentaries about race and racism in region.

March 2011: Hosted Writing Democracy conference on our campus, which brought together a vast array of scholars, teachers, archivists, historians, and activists to explore potential for a Federal Writer’s Project 2.0.

July 2011: NEH ODH awards announced. We got it! Now what?

August 2011: Begin establishing workflow and other elements of Remixing Rural Texas project to ensure development of prototype ready to deliver by 12/2012.

September 2011: My week in Washington DC for the NEH Projector Directors meeting and in NAACP Archives at the Library of Congress overlaps with the launch of the John Carlos Story, a memoir I didn’t even know was in the works on a key participant featured in my current research and writing.  That very night after the book launch and our conversation about his time in Commerce, Texas, that year before he took the world’s stage in Mexico City, I wrote a letter nominating him for an honorary doctorate at the very campus that he says introduced him to “racism in the South” and changed his “name from John Carlos to ‘boy.”

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Mar09

THATcamp (Popcorn)

by cartershannon on March 9th, 2012
Posted In: Uncategorized

NEH [description] [in 3min]

Mozilla Popcorn [develoloper site]

Demo [Right Wing Radio Duck]

Shakepeare [popcorn]

RRT at ThatCamp Texas 2012 [prototype, static proposal]  [prototype, dynamic Remixing Rural Texas]

Popcorn Demos [list]

____

 And!!

 Brett Gaylor brett@mozillafoundation.org via googlegroups.com

Feb 17 to web-made-movie.

This project

http://www.soundofmyvoicemovie.com

Does popcorn-ish things.  It has a very simple interface – full screen, additional interface is presented with a little magnifying glass.

Intriguing movie, too.  It seems a successful implementation of annotation that does not interrupt the viewing experience.  They’ve created a campaign on youtube that provides backstory.

—–

Description: Popcorn (mozilla labs) enables interaction with video as never before. Our project (Remixing Rural Texas: Local Texts, Global Contexts”) utilizes this open source tool to annotate original context of source materials included in three short videos –each remixed almost entirely from existing archival materials and featuring critical race narratives emerging from my research.

Of course the applications for (and implications of) popcorn and other innovations for webmademovies extend far beyond our use. I wish to demo the tool as we are using it and explore with participants a broad range of other uses we might discover together. We are in only the earliest phase ourselves yet eager to explore potential with others.

Three minutes on RRT here: http://www.youtube.com/watch?v=Uv4az2sonnI#t=41m56s

More–

Rural Texas: Remixed!

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Feb18

Videos of 2011 NEH Digital Humanities Start Up Grantees

by cartershannon on February 18th, 2012
Posted In: Uncategorized

From NEH ODH blog:

“We’re happy to say that we now have videos from the annual Office of Digital Humanities Project Directors Meeting, held September 27, 2011 at the Old Post Office in Washington, DC. This meeting brought together top researchers in the digital humanities from across the United States.

In these videos below, watch the directors of NEH’s Digital Humanities Start-Up Grants give short, two-minute presentations on their projects.
Click any link below to go directly to the video.
NOTE: Link to my protect takes you to the previous one. You’ll find Remixing Rural Texas at 41:55
Alexandria Archive Institute Gazetteer of the Ancient Near East
Cleveland State University Mobile Historical
College of Physicians of Philadelphia Planning for an Innovative Partnership: the Medical Heritage Digital Collaborative
CUNY Research Foundation, City College Spanish Paleography Digital Teaching and Learning Tool
Dartmouth College ACTION (Audio-visual Cinematic Toolbox for Interaction, Organization, and Navigation): an open-source Python platform
Florida State University Populating Prosop, A Social Networking Tool for the Past: Two Workshops
Fordham University Compatible Database Initiative: Fostering Interoperable Data for Network Mapping and Visualization
Indiana University, Bloomington Incorporating Annotated Video into Omeka
Indiana University, Indianapolis An Open-Source Scholarly Text-Editing Platform for the Critical Editions in the Institute for American Thought
Internet Archive Linked Open Data in Libraries, Archives, and Museums Summit
Ithaca College Untangling the Web of Historical Thinking: What the Structures of Student-Produced Wikis Reveal
Ithaka Harbors, Inc. Campus Services to Support Historians
Mangalam Research Center for Buddhist Languages Buddhist Translators Workbench (BTW)
MediaAction Rural Alaska Cultural Media Project
Michigan State University Digging Digitally: Creating a More Dynamic Archaeological Field Journal Archive
Milwaukee Public Museum Proposing Holograms as an Innovative Exhibition Technology for Egyptian Mummies
Minneapolis Society of Fine Arts Enhancing the Humanities Through Innovation: The Extended Collection Project
Museum of the City of New York Improving Digital Record Annotation Capabilities with Open-sourced Ontologies and Crowd-sourced Workers
New York Public Library What’s on the Menu: Crowdsourcing Culinary History at The New York Public Library
New York Public Library MOVER [a Multimodal Open-Source Variorum eBook Reader]
North Carolina State University New Methods of Documenting the Past: Recreating Public Preaching at Paul’s Cross, London, in the Post-Reformation Period
Ohio State University, Main Campus Meeting the Earthworks Builders: A flash-based video game
Reed College Enhancing Dance Literacy: Dance Notation Through Touch Technology
Stockton College A Digital Role-Playing Game for the History of Medicine
Stone Soup Productions, Inc. The American Guide Game
SUNY Research Foundation, College at Purchase Creative Telecollaboration and Language Acquisition Curriculum
Texas A & M University, Commerce Remixing Rural Texas: Local Texts, Global Context
Tulane University MediaNOLA: Making the History of New Orleans Cultural Production Part of the Present
University of California, Berkeley Wordseer: A Text Analysis Tool for Examining Stylistic Similarities in Narrative Collections
University of California, Los Angeles Immersive Coordinates: Digital Anatolia
University of Central Florida, Orlando The Central Florida Mosaic Interface – Stage II
University of Florida Digital Epigraphy Toolbox
University of Houston Vwire: Digital Content Management through Spatial Arrangement – a Tool for Visual Argumentation in the Humanities
University of Illinois at Chicago CoCensus: Collaboration Exploration of Census Data in a Museum
University of Illinois, Urbana-Champaign Re-Framing the Online Video Archive: A Prototype Interface for America’s Nuclear Test Films
University of North Carolina, Chapel Hill Gnovis: Flowing Through the Galaxy of Knowledge
University of South Carolina Research Foundation History Simulation for Teaching Early Modern British History
University of Southern California Design of an Interactive Tabletop Device for Humanities Exhibitions
University of Southern California and Bryn Mawr College Mobile Shakespeare Scripts
University of Texas, Austin Bibliopedia
University of Washington The Svoboda Diaries Project: From Digital Text to “New Book”
University of Washington Advancing Information Design for Architectural Image Interfaces
Wake Forest University ACTIV-ES: a novel Spanish-language corpus for linguistic and cultural comparisons between communities of the Hispanic world
Washington State University Fort Vancouver Mobile
Weber State University Concentration in the Humanities
Wheaton College Encoding Financial Records for Historical Research
Wheaton College and University of Virginia Developing a User Experience for TAPAS (the TEI Archiving, Publishing, and Access Service)
Yale University Photogrammar Project

 

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Feb10

Activism in Commerce (then, now)–the future looks bright, my friends!

by cartershannon on February 10th, 2012
Posted In: Converging Literacies Center, local history, Research, Teaching, Writing Democracy

Tuesday, February 7, 2012, alumnus McArthur Evans, came back to Texas A&M-Commerce to help us kick off Black History Month (I was out of state the previous week) with a 2012 version of the voter registration drive he helped organize as a student in the 1970s with the local activist group the Norris Community Club. After joining us for a morning presentation then a hoot of a lunch, he dropped by to see Ivory Moore before coming back to give  a presentation to my first-year composition students in the afternoon.

Evans, left (Norris Community Club, Commerce, Texas)

He filled the room, as always. The refrain throughout was provocative and thrilling and inspiring. A celebration of the many who had the courage to “put down the cotton sack” and “drink from the colored fountain” to challenge injustice, as (to echo MLK), “injustice anywhere is injustice everywhere”). A challenge to everyone enjoying those rights to “stand up” “get busy.”

I’ve been studying the Norris Community Club for some years, of course, so I’ve been around Mr. Evans’s fabulousness many times. I’m always inspired when I hear from or read about the men and women involved with this period of rapid change decades ago. This month, we bring several of these individuals before the students again, just as we have in years past (first October, 2009, and not just during Black History Month but then as well). This was the first time I’d experienced Mr. Evans’ and these other localized issues from the perspective of a group of 18-year olds (mostly, and from around the world).

The questions were interesting (like one from Merlin, who grew up in China, wondering if Asians experienced similar challenges on this campus at this time, and Isaac, a young African American man who wondered if Mr. Evans’s had ever had a drink from a “white water fountain” and if he had, “what would happen?”).

Even more interesting, perhaps, were the perspectives I’ve gleaned from their response papers following event.

A bit of context from the class: It’s second semester of first-year composition. A course designed to teach research and writing. I’m committed to the local as part of the circulation of texts and ideas that make us us. I like to share lots of models of possible research, and draw their attention to the possible research questions embedded in the archives and across the local landscape. We read articles on literacy research (Deborah Brandt, Lauren Bowen, John Duffy), rhetorical historiographies of local educators (Gold, 2005 and 2008), and on oral history (etc). We watched documentary on Norris Community (first by CLiC, with creative lead Luca Morrazzano), they read and wrote about excerpts from the local collection Memories of Old ET (from alumni attending college before it changed names in 1996). They just began reading The John Carlos Story, also from an former student (John Carlos attended ET 1965-1967). For the next few weeks, a speaker will be visiting the class. Each of these visitors (save one) has been interviewed for my research project previously (many, a number of different times), each time recorded and brought into our university archives.

All of this, of course, draws heavily from my own research agenda, but that seems right to me. There’s room enough for many, many more in this. This local, like all locals, is prone to excess! 

Each class meeting, they submit to me a short Reader Response to one or more of the assigned “text” (be it documentary, a scholarly article, or a speaker). I want to them to synthesize some of the key ideas, how the various “texts” are speaking to one another and their own lived experiences, then draw from these toward a potential research project. I also want to know how these texts are working for them (or not).

As one student writes in her most recent Reader Response (RR#4), ”

I am very interested in how segregation took place here in Texas, and more in Commerce. In my past history classes I have never really taken an interest in the Civil Rights movement because I thought it had nothing to do with me, it was before my time. Now seeing how real it really was, with documentaries and speakers who actually lived through it, it all became very real to me.

Almost always interesting, usually more than that, these RRs are one of my favorite things to read. The response to this first speaker was beyond anything I expected.

“. . . It was a whole new connection, not only was I reading about this but now I was hearing it from someone who experienced it firsthand.”

“. . .  Out of all of the assignments or presentations we have had, the speaker we had this past Tuesday stands out the most to me.  It was great to have a living and breathing person that was able to share his first hand experiences of that day in time.  We have been reading about it, and we even watched the documentary about it, but he was really able to hit home in a whole new way with his thoughts and reflections on the subject.  For me at least, it was as if he was giving the readings I had gone over a new meaning.  One of my favorite readings was the chapter that I read from Memories of Old ET.  I found it particularly interesting because it was actual stories of the school that I attend.  The presentation had the exact same result, except that it was a live example.  When I was reading the John Carlos story I found it interesting that it really was not that long ago when these terrible things were taking place in our own country.  Then when I was able see that someone was talking to us that actually lived it, the realization was that much stronger.  I especially liked how he used some of the older phrases such as the “colored fountain.”  It really gave himself credibility, but it was mainly really interesting to hear the phrases, especially from someone that actually used them in their day in time.  That presentation was probably one of my favorite presentations that I have been able to attend so far at A&M.  I really look forward to looking into the past of Commerce a little more, and reading some more chapters from Memories of Old ET.

The responses across the board were beyond positive. But one stands out in particular. Mabhekiso grew up in South Africa. Also far closer to 18 years old than his professor or the day’s speaker. The connections he drew to this presentation and the discussion of segregation, as well as John Carlos’s responses to Malcolm X (we read Chapter One of John Carlos Story this week) made him think of Nelson Mandela and Apartheid. For the first time. Of course these connections are crucial and real and conscious to many activists at the time (to the Olympic Boycott for Human Rights, of course) and folks who study this and folks far less removed in time to the height of the Civil Rights movement. Yet the importance of these personal connections cannot be ignored. Crucial. Powerful. Vital.

Response: M. Evans, Speaker, Black History Month (Commerce, Texas)

Mr. Evans’s presentation will be available online soon. And in our university archives after that. We are committed to both, as a vital way to sustain our future and enable future research (something from my upcoming CCC article on sustaining archives, sustainable futures). No doubt a least an excerpt will appear in one of the videos my project team and I are “remixing” from the archives.

As, we hope, might conversations emerging from local/global connections. Images like this one–Nelson Mandela reading The John Carlos Story, just as we read The John Carlos Story here in Commerce, Texas, the town that “introduced me [Carlos] to racism in the South” (Carlos and Zirin 73).

“].”]

Nelson Mandela reading “The John Carlos Story.” [Photo credit: Dave Zirin, co-author with John Carlos, January 2012

When we went over to begin the process of acquiring Ivory Moore’s papers (local activist involved with NCC, first African American administrator, first African American city council member, first African American mayor of Commerce, writer of millions of dollars of grants on behalf of Norris Community and to establish EEO programs here on campus), The John Carlos Storywas on his couch, as well. You can’t see it there, but it’s right beside me.

is Andrea Weddle, archivist and regular collaborator, to my right on sofa (off camera) is Jeremy, the other excellent archivist at A&M-C, and next to him is Lennie Moore, Mr. Moore's brilliant and funny wife, who will also be sharing her important archival materials with us for the "Ivory and Lennie Moore Collection" currently underway. Behind the camera is Kelly Dent, the amazing graduate student in political science who has been working so hard on this and continues to meet each week to help bring in the collection.) Wow.

Shannon Carter, speaking with Ivory Moore, on first day of formally acquiring his papers (at last!). Photo: Kelly Dent

 

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